My Digital Conversion

I used to really be into photography when I was in school. I took a photo 101 class at San Jose State taught by Max Crumley. He's a funny guy who told stories of shooting a locomotive at night by hand firing the flash and "painting" each section of the massive dark beast with his SLR set to the bulb mode. I remember spending hours in the darkroom and coming home smelling like fixer.

My first real camera was a Minolta x700 film SLR. I was fortunate enough to live with a room mate who had most of the darkroom equipment just sitting in boxes in the garage. One day I asked him If I could set it all up. I turned pantry closet into a makeshift dark room complete with Bessler enlarger, safe light, dark bag and a print washer. I took portraits of neighbors and gave them away as gifts. I was having the time of my life!

After graduation, I got married and my Minolta disappeared one day from the trunk of my car. My second camera was a Nikon N8008 complete with a 50mm lens and a Vivitar 3600 TTL flash. Wooo Boy! I was all set!

Funny how free time slips away from you once you get married and have children. Priorities change and you grow in a different direction. I had a friend once, named Ed Jensen, who said: "You never realize how selfish you are until you get married, Then you never realize how selfish you both are, until you have children." He was sure right!

I'd kinda forgotten about photography for about 15 years. Just long enough for digital SLRs to become affordable. Sure I've had a bunch of point-and-shoots over the years, but these were relegated to "happy snaps" for the family and vacations. I'd rarely go out just to shoot pictures.

Now it seems I've rediscovered photography all over again. The kids are old enough to not want their parents around all that much. I seem to have more free time now than I have in years. I've taught myself Photoshop from watching tutorials on YouTube, I joined Flickr and started listening to TWiP. I bought a D90 a month after it came out.

I find myself looking at the world in a whole new way. I started to notice how the light hits things; How different morning is, from evening, I keep saying to myself; "Now that would make a good picture..."

I love learning it all over again. Sure, the basics still apply, "good light" is still "good light", bad light still sucks. I've enrolled in classes and signed up for "photo walks" and bought books. I guess its safe to say "I'm Hooked (again)" But this time its for keeps!

Happy Friday: Modeling at its best

Happy Friday! Here's a video of high class models wearing the latest creations and showing us all that they're only human. Enjoy!

Justin Clamp

A few weeks ago, I purchased a new strange-looking but oh-so-useful item called a "Justin Clamp" Its actually a "Manfrotto 175F Spring Clamp w/shoe flash" and it costs about 50 USD but its well worth it.

Lets take a look at it shall we?
First off you'll notice that it resembles a "chip clip" and functions the same way but with a really beefy spring. The flat gripping surface has 4 stiff rubber inserts on each side that allow it to clamp securely on cylindrical objects (think-- light stands, pipes, tree branches, dining room chairs, etc...)

Sticking out of the top is a nice cold shoe on which to place your flash. The flash is held securely by rotating a lock ring up against the base of the flash. The shoe is attached to a ball and socket that allows the flash to tilt and swivel in any direction. Tighten the clamp to lock it down and prevent movement.

Just below the swivel and in the center of the spring is a standard light stand post allowing you to attach it or other parts of your lighting gear.

On the very bottom is a female post clamp, if that's the proper term, with a thumb screw to lock it securely to the male post on your light stand.

Overall the design is really functional. Now you can hang a flash securely just about anywhere.

Here I have it mounted to the top of a light stand allowing me to aim the old Vivitar 3600 flash at the back of a diffuser. I use this as the main light for portraits because it gives me a 3-foot square of soft light that looks great for head and shoulders shots. Starting at the top, the flash is connected to the cold shoe and lock ring. The female post clamp is firmly attached to the post at the top of the light stand. I'm not using the spring clamping feature here, but its just an example of how versatile the "Justin Clamp" really is.

This is definitely one of my favorite pieces of photo-geek-gear!

Shooting into Darkness

This weekend, we all went to the Academy of Science Museum in San Francisco. It was really crowded, but we all had our expectations set accordingly, so we were ready for it. I brought along the Nikon D90, my SB600, and a snoot in case I needed to throw light at a subject far away.

Controlling the flash off camera
Both Nikon and Canon offer a wireless system whereby the camera body and flash negotiate the amount of light to output while you press the shutter button. The whole conversation takes about 10 milliseconds. In the Nikon World this is called the "CLS" or Creative Lighting System. For Canon, its called the E-TTL system. What these systems do is pretty amazing, allowing you to place the flash many feet away form the camera and really control the direction of the light to add more interest to the Image.

The Albino Alligator
In the main hall there is a pit about 15 feet deep with an albino alligator in the swampy bottom. The pit was fairly dark and the alligator was laying motionless. It made for an interesting challenge to photograph, so I wrapped the snoot around the flash and asked my wife to aim it into the pit. I stood a few feet to her right and zoomed in on the gator. The snoot really helped blast the light down into that dark pit. The result looked pretty cool.

Shooting Through Glass

Have you ever been disappointed at photos taken through a glass display case? Perhaps you were at a museum or the zoo trying to capture the memory of that animal on the other side. How about shooting through a tour bus window? Was there a lot of distracting glare? Here's a few tricks that photographers use to avoid this situation:

1. Wear black - Many times the glare comes from what you are wearing. A black jacket or shirt can do a lot to shield stray light.
2. Shoot off angle - If your using a flash, it will certainly bounce off the glass and ruin the shot. Try moving off axis by 30 degrees or so.
3. Shoot head on - Crank up the ISO on your camera to use the available light in the display case. Turn off your flash and get as close to the glass as you can. You can even lightly rest the lens on the surface of the glass, provided the optics in your lens don't touch and cause a scratch. The glass will help steady the camera so you don't get any motion blur.
   
4. Use your hands - Cup your hand around the lens to block out the stray light. You might even try asking your spouse, child significant other to cup his or her hands around the lens.
   
5. Lay something dark on the floor - If the room has a light colored floor causing the glare, lay your dark jacket on the floor to block it out.
6. Hold smomething dark near the camera - Move the camera out of the way and look at where the reflection is coming from. Use a dark jacket spread over your hand to see if you can get rid of the reflection. Then replace the camera and take your shot
   

Try these out next time you know that there will be a piece of glass between you and a great photo.

Model Shoot!

A few days ago, I had the honor of being requested to do a "Head Shot" for Adam, a young actor/model auditioning on Saturday. This would be the first time that I'd been asked to do something like this.

Last night was the shoot. I have to admit that I was a little nervous, even though this was done for free. The model was nervous too. We both talked a while and did some test shots and began to relax. It was nice knowing how to use the lights thanks to Zack Arias' blog and Joe McNallies The Hot Shoe Diaries. I felt totally comfortable tweaking the flash output, moving the lights around, climbing up on ladders and shooting. The shoot lasted about a hour, with another hour in post (bridge and photoshop) rating 91 images, sorting and doing minor adjustments. I think we got some nice shots.

Happy Friday

This remains one of my all time favorite stories. Paul Potts on Brittan's Got Talent makes me smile every time. Enjoy